Mother’s day is coming and this is one of the best occasions to celebrate the love for someone so special. I’m making special photoshoots that make the perfect gift to give our mums.

Mother’s day is coming and this is one of the best occasions to celebrate the love for someone so special. I’m making special photoshoots that make the perfect gift to give our mums.


“Guimarães no Coração” exhibition is finally here. This is the final chapter of my last blog post (http://www.pedrosoaresphoto.com/2013/02/14/hard-times-and-misery/). No need to say again all the work, time and effort I put in this project and to mention the people I have to thank for all the support. The next days until the Grand Opening on Saturday are of preparation and to check if everything is ready. One thing I know, it’s gonna be a big moment for me. Hope to see you there to share this moment with me. See you on Saturday (16h30 at the Ducal Palace)!
Everyone could attend the opening of the exhibition so I cordially invite you to be there and be part of this special moment.
Date: 2013.03.09 till 2013.05.05
Time: 16:30 GMT Lisbon Time (Grand Opening)
Place: Ducal Palace at Guimarães
(exact spot: http://goo.gl/maps/ofqs2)
GPS: 41°26’47.80″N - 8°17’28.70″W
How many times did you put your time and hard work in some special project you know will connect with people but for some reason faces all kind of problems? Or even when everyone gives their support in the beginning to pull the rug under you in the end. The life of a photographer is not easy… You invest in something expecting other people understand your vision but sometimes it’s very difficult to explain something so personal and unique. Nevertheless for a few among us everything seems to work well. This is not my case, my history is about facing all kind of problems and not give up.

GUIMARÃES 2012
During the year of 2012, Guimarães was the European Capital of Culture. Far from the rush of events that were happening, I decided to make a project that could show the life and changes this event brought to the local people, since everyone was excited and involved with the event. One of the main visual signs of this involvement was the adoption of the CEC 2012 logo that had the shape of an heart. Everyone had their own customise logo decorating the stores in the Historic Centre. So I pick up this visual element joined the emotion of each person and came up with the project “Guimarães no Coração”. The idea was to ask to each person two questions, “How is your heart” (the visual element) and “How big is your heart” (the emotional response). Everything went really well, everyone was excited to be in and the idea to make an exhibition was starting to grow. But as the project reached it’s end, and the time to prepare the exhibition was arriving, the usual problems finally appeared…

THERE IS HOPE
In the final stage I lost the number of times I knock at companies and public institutions doors to find some kind of support. Some of this places I had visited before at the beginning of the project. Back then I received promises of support but now everything had changed. The common things I had in every visit were: everyone loved the project, idea and images, success wishes and a NO. Things were getting harder at the point of everything was at stake and even the first date for the exhibition had to be changed (something that proved itself as a good thing). But as the proverb says “Hope is the last to die” so the support I needed came from the people I had photographed. They believed in the project and like me they were not willing to let it die. I have to thank them all for keep believing. Their attitude since the beginning is the reason for this project exist.
A very, very special thanks to Maria José Nascimento, who encourage me to pursuit and finish this project and others to come. I also want to express my gratitude to Dr. Manuel Azevedo Graça for all the support he gave me and specially by providing the best possible place in Guimarães for the exhibition, the Ducal Palace of Bragança.
You will always face hard times and misery but what I learned (once more) from this experience was: How many times should you stand up after falling? As many as it takes…
More information about the exhibition in the following days. Hope to see you there.
Is time for “Tea for Two” with guest photographer Carlota Leitão. Want to know more? Keep reading!

“Tea for Two” is a kind of get-together about photography and other related topics. Each event has a special guest and this time will have Carlota Leitão, a documentary photographer from Porto that recently published her first book along side Pedro Brum. In 2009 she created her own company called Full Frame. She also made exhibitions in Portugal, Brazil and Italy. Feel free to join us and share your own experiences and doubts.
Everyone could attend the event and is welcome to ask questions to the guest.
I look forward to see you there to have a great time with us. See you soon!
Photographer website http://www.fullframe.com.pt
Cost: Free
Who can come: Anyone
Date: 2013.03.03
Time: 17:00 GMT Lisbon Time
Place: Forum Fnac at Guimarães Shopping
(exact spot: http://goo.gl/maps/H4WGa)
GPS: 41°26’26.65″N - 8°18’13.25″W
Well, not exactly the beginning since that really happens in my heart and mind with an idea for a photograph or in a moment that speaks to me. But after I’ve made an image what happens to the amount of pixels stored in the memory card? This is a journey through my workflow and an answer about my choices.
We live in an photographic era where the “all-in-one” programs tend to rule. The ability to have all we need to take care of our images in one place is something that is gaining more and more enthusiasts, and it seems to be a win-win relationship. So why should I choose something many people see only as an image browser and for a section of the workflow not all give special attention? Let me tell you about my experience.

Some years ago, when the amount of image files were starting to be considerable I made the decision to improve my archive system and working method. Back then I used Nikon own browser but I started to look for something more versatile and powerful. During the search I made, I came across the website of John Shaw (http://www.johnshawphoto.com), a landscape/nature photographer who’s work I admire where he mentioned Photo Mechanic as a good image browser for Mac users. I read some more opinions and reviews and decided to give it a try.
My first impressions were, Wow! this thing is fast. The true is that it’s not only fast but it’s also powerful in the way it handles your images. If I had just one good thing to say about Photo Mechanic it would be speed. Just for this you have a very good reason to use it. But there is more, a lot more. You have speed in browsing and full screen previews, powerful IPTC Metadata input system and keyboard shortcuts to speed up even more your workflow and automat lot of tasks. For me they are the main three reasons to stay with Photo Mechanic. Let’s find out a little more about them and talk about some more.

Everything starts with the “Ingest”, Photo Mechanic import/download control centre. Here you can “ingest” images from different cards or drives all at the same time. You can rename you files, download them to a primary and secondary disk/folder for security/back-up purposes, define the directory structure for your folders, apply Metadata, filter the files to copy, erase the source disk (I don’t use this option because I prefer to format my cards in my camera after all the downloads had happened) and unmount the memory cards/drives. You can also define the Job attributes and use “Variables”, a extensive list of topics you can choose to display for your images that cover from EXIF to IPTC data to time and GPS information. This “Variables” will be available almost anywhere inside Photo Mechanic. You can also save the changes you made to use in the future, more or less like a preset. The good thing is that it makes all of this for you, automatically. Another good thing is that it ingest both image and video files. What do you want more?!
Then comes the browsing experience. I have to tell you again, this is fast, really fast. And you can start to go through your images while the rest of the download takes place. All your images will appear in the main contact sheet window and here you can tag, rate and use colour classes to sort your images to help you with the selection. Later you can use a filter to show only the ones you choose. One thing I really like in the main contact sheet is the ability to see the images at full size. You just have to press the letter “Z”, click and hold in the image you want to check and you’ll see it at 100%. You can then navigate through the image using the thumbnail. This is very handy to check things like sharpening. You can also use the “Preview” window to do this things and a lot more like compare images, rotate, crop, etc. You also have a histogram than can show you lost details in highlights and shadows.

Now is time to add Metadata information. If you’re doing a big job, you can previously set-up the IPTC Stationary Pad with information that fits all the images and after the job just add special information regarding each image. You can use the IPTC Stationary Pad or click on the info icon on the thumbnail to go directly to the IPTC Info Panel for that image. I prefer this way because you can see a big preview of the image you’re adding Metadata. After you enter all the information you can copy/paste it to other images. Recently I decided to start selling images as stock and, specially now, I find this section of Photo Mechanic very well made and helpful. Not everyone will use all the fields they provide but I try to fill as much information as I can. You can edit and customise the Keywords Panel and Structured Keywords Panel to simplify your work and from the IPTC Info Panel you can also upload your files for your selected destination.
But it doesn’t end up here. I want to mention one or two more things I use. The first one is the upload service. You can upload your images directly via FTP and other online services like PhotoShelter, Flickr, SmugMug, Zenfolio, etc. Since I use PhotoShelter I find this option very handy and time saver. It’s perfect. The other thing I want to mention is the option you have to make html and flash galleries based in a series of templates that you can use to show your work to your clients, friends or family.
So for me it goes like this:
1. Import cards; Apply Stationary Pad; Rename files (Ingest Panel)
2. View images and select the best ones using colour classes (Contact Sheet or/and Preview window)
3. Narrow the selection to the best of the best using a specific colour label (Contact Sheet or/and Preview window)
4. Add detailed Metadata to the keepers/winners (IPTC Info Panel)
5. Post-processing (all about this in the upcoming workflow blog post)
6. Upload images (File Uploader)
7. Store/BackUp files (via File Menu or Drag and Drop)
And that’s it. For me the ability to have a good “image browser” is very important. It simplifies and speed up my workflow saving me time for the post and creative processes. Having one that does all this really fast is enough to choose Photo Mechanic. I look forward to see Photo Mechanic Catalogue, a new program Camera Bits is cooking to go hand in hand with Photo Mechanic. I hope this information can be helpful to you and can show you the importance of this step in your workflow.
For more information about Photo Mechanic please visit Camera Bits, the company that makes it. They are celebrating 15 years and have a special deal on February 15th.
I recommend you read the opinions regarding Photo Mechanic from Zack Arias and Scott Kelby following the links bellow.
Coming next: And now what? (chapter two)…
For the last couple of years I was happy with my website. It showed my images, some of my work, said one or two things about me and that’s it. Made it entirely with iWeb since I have a background in design and I’m very difficult to please in this area and everything was running smoothly. But then, in the last months of 2012 I started to think I needed a better online presence. I also decided to improve my blog and to start an online store where I could have my Fine Art Prints available and many of the images I made during the years as stock (despite not being really a stock photographer). This was where the problems began and from the many variables I had in my equation, one thing I wanted to accomplish, the image between website, blog and store should be the same.
THE CHOSEN PATH
The offers and choices you have are enough to get lost in the first online search you make. With a bit of planning you can reduce this to two big groups, hire someone or some company to do it, or do it yourself and use the resources available. I went for the second one because I wanted to see if I could achieve my goal.
Since I had some background experience with WordPress (my old blog) I decided to make it my starting point. There isn’t much to say about WordPress that you already haven’t heard but I want to mention, again, that the people behind it really makes a great job. After trying a lot of different (free) themes, and good ones I have to say, I was far away of being happy with what I had done. My concern was the appearance between the different areas (site, blog, store). So I decided to jump ahead and look for a solution for my online store.
Here you also have some options from which you can choose. After reading a lot of opinions I decided to go with PhotoShelter. This decision helped me with my other problem, the website/blog section since it had an integration with Graph Paper Press, a team of talented people who build beautiful themes for WordPress.
Now I was ready to go. I wanted to maintain the simplicity and colour scheme of my older website with some minor adjustments but all the rest is new. New pages, new galleries and new images. I also achieved a more friendly and responsive design and navigation experience. I didn’t knew everything to get where I wanted but I discover it along the way and the support from PhotoShelter and Graph Paper Press is top.
I’m sure my website could be different. Better? Maybe, but the important is that I like it and I’m having good feedback of others. With time I may change one thing or two but for know I’m happy and everything is running smoothly as I wanted. My energies are back in my work and in the process of selecting and editing the images for my online store. What I learned is even if you don’t have all the knowledge in this area (like me), you still can achieve good results. Put your efforts into it and good luck.
I leave you here the links of the tools and resources that worked for me.
http://wordpress.org
http://www.photoshelter.com
http://graphpaperpress.com

Guimarães, Unesco heritage city and in 2012, the European Capital of Culture, is a place full of history associated with the emergence of the Portuguese national identity waiting to be discovered and photographed.
The photowalk will start in the Campo de S. Mamede and end up at the same place that offers great parking area and is just around the corner of two of the most important landmarks of the city, the Guimarães Castle and the Ducal Palace. During the walk will have time to explore the Historic Centre and some other interesting places to photograph.
If everyone, including me, have enough energy, we’ll take it after sunset and try to make some night photographs. I’m also expecting to have some time after the photowalk to socialise.
I look forward to meeting you all and I think together will make some great photos and have a great time. See you soon!
Cost: Free
Who can come: Anyone
Levels: Beginners to Advanced
Camera to bring: Anything from a mobile phone to a DSLR
Time: 10:00 AM GMT Lisbon Time until sunset
Meeting point: Campo de S. Mamede near Guimarães Castle
(exact spot: http://goo.gl/maps/fJZFc)
GPS: 41°26’54.55″N – 8°17’22.75″W